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	<title>paulpape.de</title>
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	<pubDate>Thu, 06 Apr 2023 10:18:12 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
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		<pubDate>Sun, 26 Apr 2020 17:34:43 +0000</pubDate>

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		<title>Verschränkungen. Eine Gedankenaustellung</title>
				
		<link>https://paulpape.de/Verschrankungen-Eine-Gedankenaustellung</link>

		<pubDate>Thu, 06 Apr 2023 10:18:12 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

		<guid isPermaLink="true">https://paulpape.de/Verschrankungen-Eine-Gedankenaustellung</guid>

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&#60;img width="1813" height="1410" width_o="1813" height_o="1410" data-src="https://freight.cargo.site/t/original/i/1a5a4cabec3b9880d692a78de8be9ee7f201518062832b24eedef7b01b92c0aa/lopers-33.png" data-mid="174441244" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/1a5a4cabec3b9880d692a78de8be9ee7f201518062832b24eedef7b01b92c0aa/lopers-33.png" /&#62;
Verschränkungen.Eine Gedankenaustellung &#38;nbsp;







&#60;img width="627" height="427" width_o="627" height_o="427" data-src="https://freight.cargo.site/t/original/i/6d29c3a8fc76014cf22450e635e8841755f7e3f27d59515c04701583e42468ee/Scan-58.jpeg" data-mid="174441457" border="0"  src="https://freight.cargo.site/w/627/i/6d29c3a8fc76014cf22450e635e8841755f7e3f27d59515c04701583e42468ee/Scan-58.jpeg" /&#62;

Fig 67: Der Computerraum.&#38;nbsp;Latour, B., Woolgar, S. &#38;amp; Salk, J. (1986). Laboratory Life: The Construction of Scientific Facts. Amsterdam University Press.
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Die Erschütterung der kopernikanischen Wende, dass also der Mensch nicht länger der Mittelpunkt des Universums ist, setzt sich fort im Angesicht eines Namens: Gaia. In ihrem Erscheinen spiegelt sich die vierte Kränkung der Menschheit. Ihrem Blick gilt es zu begegnen.Verschränkungen. Eine Gedankenausstellung ist eine performative&#38;nbsp; Installation an der Schnittstelle von Fotografie und Zellbiologie. Die spezifische Versuchsanordnung, die in Kollaboration mit dem Virologen Florian Hastert konzipiert wurde, erforscht Möglichkeiten der Vernetzung zwischen Kunst und Naturwissenschaften, um der menschlichen Perspektive mit heterogenen Zonen des Unähnlichen zu begegnen.In der künstlerischen Auseinandersetzung mit dem Labor als Ort der Wissensproduktion beleuchtet Paul Pape das Dispositiv der Produktion naturwissenschaftlicher Fakten als geschliffene Ebenbilder der Natur. Eine wesentliche Position nehmen dabei die Apparaturen und Maschinen der Experimentalsysteme ein, die naturwissenschaftliche Erkenntnis immer bereits als eine vermittelte auszeichnen. Unter dem mikroskopischen Blick wird die Dingwelt in Verschränkungen. Eine Gedankenausstellung in ihrer Eigendynamik sichtbar, die sich auditiv als Klang-Infektion verselbstständigt.Durch eine eigens von Paul Pape konzipierte analoge Fotografie-Apparatur wird der Raum zudem selbst zu einem Datenraum, dessen Spuren in dem Prozess der Aufzeichnung und der direkten künstlerischen Transformation zu ArteFakten werden. Diese abstrakten Dokumente des Situativen hinterfragen den Status von Information im Kontext von Big Data und die Position des Subjekts in der digitalen Informationsökonomie. &#38;nbsp;Verweilen wir noch einen Moment im Digitalen: Was Sie hier vor sich sehen, ist das digitale Archiv von Verschränkungen. Eine Gedankenausstellung. Die Sedimente einer sich fortschreibenden Recherche, an deren Anfang die Frage steht, wie man sich mithilfe der Kunst als einer Art „Bindeglied“ der Utopie eines „Parlaments der Dinge“ (Bruno Latour) annähern könnte. Anders ausgedrückt, wie ließe sich unsere menschliche Perspektive auf kollektive, pluralistische Formen des Mit-Seins lenken, die menschliche und mehr als menschliche Formen des Seins umfassen?Entgegen der hoch präzisierten Versuchsanordnung eines wissenschaftlichen Experiments finden Sie hier, gewissermaßen als eine Art Laborprotokoll,&#38;nbsp; eine assoziative, fluide Wissensordnung vor, deren Lücken zu Freiräumen der Vernetzung und Verschränkung einladen.Viel Freude dabei.
&#60;img width="1344" height="1024" width_o="1344" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e4c4a27b13843f197f4c03646b732ec9efcae20a91813a7dd449e84c5770346a/Lichtmikroskopische-Aufnahme-von-HELA-Zellen-in-Kultur.JPG" data-mid="174441336" border="0"  src="https://freight.cargo.site/w/1000/i/e4c4a27b13843f197f4c03646b732ec9efcae20a91813a7dd449e84c5770346a/Lichtmikroskopische-Aufnahme-von-HELA-Zellen-in-Kultur.JPG" /&#62;
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&#60;img width="3200" height="2400" width_o="3200" height_o="2400" data-src="https://freight.cargo.site/t/original/i/adbf80697ba804b69dd19b9dba25f4e38be03556892e70da71c0009da33ddf22/Fluoreszenzmikroskopische-Aufnahme-von-HeLa-Zellen-nach-Anfarbung-von-Aktinfilamenten-rot--Mikrotubuli-cyan-und-Zellkernen-blau.jpg" data-mid="174441335" border="0"  src="https://freight.cargo.site/w/1000/i/adbf80697ba804b69dd19b9dba25f4e38be03556892e70da71c0009da33ddf22/Fluoreszenzmikroskopische-Aufnahme-von-HeLa-Zellen-nach-Anfarbung-von-Aktinfilamenten-rot--Mikrotubuli-cyan-und-Zellkernen-blau.jpg" /&#62;Fig. 49: Lichtmikroskopische Aufnahme von HELA-Zellen in Kultur.Fig. 50: Elektronenmikroskopische Aufnahme einer apoptotischen HeLa-Zelle. 
Fig. 51: Fluoreszenzmikroskopische Aufnahme von HeLa-Zellen nach Anfärbung von Aktinfilamenten (rot), Mikrotubuli (cyan) und Zellkernen (blau).
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		<title>Tension</title>
				
		<link>https://paulpape.de/Tension</link>

		<pubDate>Tue, 24 Aug 2021 08:53:07 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

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Tension
︎tensiontension.com
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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 





















&#60;img width="500" height="115" width_o="500" height_o="115" data-src="https://freight.cargo.site/t/original/i/95e5772e46d398a18460a6edf5b74c01b71000b53a4ddc2ef656ebd2ca139703/logo_01_klein.gif" data-mid="117197898" border="0" data-scale="18" src="https://freight.cargo.site/w/500/i/95e5772e46d398a18460a6edf5b74c01b71000b53a4ddc2ef656ebd2ca139703/logo_01_klein.gif" /&#62;&#38;nbsp;is a project that explores the relationship between contemporary photography and new music. The theme of the work is the freedom of musicians in a relationship of dependency and experimentation with a redeveloped camera obscura. Musicians, composers, visual artists and a director work together collaboratively to create performances, exhibitions and concerts. We try to record these not only through audio and video documentation, but also through photography and transform them into a kind of meta-composition.



 



	&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/bd4c4ecb74ef61a2099ea5e59578f4d1f088b6b3d79c4706d123ee9f43498c72/_DSC8194.jpg" data-mid="117197701" border="0"  src="https://freight.cargo.site/w/1000/i/bd4c4ecb74ef61a2099ea5e59578f4d1f088b6b3d79c4706d123ee9f43498c72/_DSC8194.jpg" /&#62;&#60;img width="3360" height="1750" width_o="3360" height_o="1750" data-src="https://freight.cargo.site/t/original/i/1168736ec6ba24f1550abfea28c58737f9637fec2e41a39a9b4d2e4550ce4584/Capture-decran-2021-10-26-a-15.45.34.png" data-mid="123383831" border="0"  src="https://freight.cargo.site/w/1000/i/1168736ec6ba24f1550abfea28c58737f9637fec2e41a39a9b4d2e4550ce4584/Capture-decran-2021-10-26-a-15.45.34.png" /&#62;&#60;img width="3360" height="1754" width_o="3360" height_o="1754" data-src="https://freight.cargo.site/t/original/i/a4e00c2cc4f259c40c238bc2c024391c3bc2936cb9b223aa8ad80ae72861ac2b/Capture-decran-2021-10-26-a-15.46.30.png" data-mid="123383832" border="0"  src="https://freight.cargo.site/w/1000/i/a4e00c2cc4f259c40c238bc2c024391c3bc2936cb9b223aa8ad80ae72861ac2b/Capture-decran-2021-10-26-a-15.46.30.png" /&#62;&#60;img width="3360" height="1754" width_o="3360" height_o="1754" data-src="https://freight.cargo.site/t/original/i/709c6b5a7f9b46bc709a85ce4f4239658c54ebe001d097db13c8c81d07f2ffcc/Capture-decran-2021-10-26-a-16.03.03.png" data-mid="123383844" border="0"  src="https://freight.cargo.site/w/1000/i/709c6b5a7f9b46bc709a85ce4f4239658c54ebe001d097db13c8c81d07f2ffcc/Capture-decran-2021-10-26-a-16.03.03.png" /&#62;&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/8e948469f7836108bfbe3fa4ed74c71489ef5d9ec84bd29917969a9792600197/_DSC8185.jpg" data-mid="117197711" border="0"  src="https://freight.cargo.site/w/1000/i/8e948469f7836108bfbe3fa4ed74c71489ef5d9ec84bd29917969a9792600197/_DSC8185.jpg" /&#62;Tension Performance in Frankfurt LAB, Frankfurt am Main© Tim Seger, Colour Grading: Raphaël Languillat
	&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/18145ccc7fcf538d367f2a85b270594ebb816ad7040251d352f57dbeb60d12bc/_DSC8216.jpg" data-mid="117197719" border="0"  src="https://freight.cargo.site/w/1000/i/18145ccc7fcf538d367f2a85b270594ebb816ad7040251d352f57dbeb60d12bc/_DSC8216.jpg" /&#62;&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/b945bad9d55236d1f462ddc25e86dc1ae7fdb98565e1e01adebbe69fcf2c5c21/_DSC8217.jpg" data-mid="117197720" border="0"  src="https://freight.cargo.site/w/1000/i/b945bad9d55236d1f462ddc25e86dc1ae7fdb98565e1e01adebbe69fcf2c5c21/_DSC8217.jpg" /&#62;

more︎tensiontension.com
︎Frankfurter Algemeine—”Die neue Lust am Analogen“

︎&#60;img width="500" height="115" width_o="500" height_o="115" data-src="https://freight.cargo.site/t/original/i/95e5772e46d398a18460a6edf5b74c01b71000b53a4ddc2ef656ebd2ca139703/logo_01_klein.gif" data-mid="117197898" border="0" data-scale="10" src="https://freight.cargo.site/w/500/i/95e5772e46d398a18460a6edf5b74c01b71000b53a4ddc2ef656ebd2ca139703/logo_01_klein.gif" /&#62; in Frankfurt Lab</description>
		
	</item>
		
		
	<item>
		<title>Camera Obscura</title>
				
		<link>https://paulpape.de/Camera-Obscura</link>

		<pubDate>Sun, 26 Apr 2020 17:34:44 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

		<guid isPermaLink="true">https://paulpape.de/Camera-Obscura</guid>

		<description>
&#60;img width="1339" height="953" width_o="1339" height_o="953" data-src="https://freight.cargo.site/t/original/i/bbad671db03150bacfa0cbb60d16200e67ab60503a219ef328e424ac738ea4d5/TanzCameraObscuraPerformance_-Peter-Redlin---3-05.png" data-mid="101770775" border="0" data-no-zoom="true" data-draggable src="https://freight.cargo.site/w/1000/i/bbad671db03150bacfa0cbb60d16200e67ab60503a219ef328e424ac738ea4d5/TanzCameraObscuraPerformance_-Peter-Redlin---3-05.png" /&#62;
Dance 
Camera
 Obscura
︎tanzkamera.com
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/740d130363f93d57e7ec530d047bdf76e2a50071b0302fc8226cc091c51d260f/From-the-series_Lightdance-_CameraObscura_Dancers.jpg" data-mid="69498682" border="0"  src="https://freight.cargo.site/w/1000/i/740d130363f93d57e7ec530d047bdf76e2a50071b0302fc8226cc091c51d260f/From-the-series_Lightdance-_CameraObscura_Dancers.jpg" /&#62;
First test of the Camera (February 2019)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 










The Dance Camera Obscura(2020), catches the movements of dancers and transfers them into light-drawings. The arms and legs of the dancers are —like puppets on strings—connected to a hand built machine that registers them into a drawing. The intention of the machine is to interpret an unexpected combination of movement, dance, music and photography.

&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; The Dance Camera is a self-designed 3D printed camera with an integrated light drawings system with strings. The design and construction of this camera was made in collaboration with product designer, Felix Pape and costume designer Agnes Storch. The penultimate result is a performance between professional dancers and musicians with a collaborative photographic exhibition in the end. 







	&#60;img width="668" height="1000" width_o="668" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f36e76b5b5a841887523ad7dfeacab041d1a954f9b86059879c0013f1d2e3877/TanzCameraObscuraPerformance_-Peter-Redlin---49.jpg" data-mid="101701226" border="0"  src="https://freight.cargo.site/w/668/i/f36e76b5b5a841887523ad7dfeacab041d1a954f9b86059879c0013f1d2e3877/TanzCameraObscuraPerformance_-Peter-Redlin---49.jpg" /&#62;© Peter RedlinTanzkamera Obscura Performance in Englische Kirche, Bad Homburg.&#38;nbsp;


	&#60;img width="668" height="1000" width_o="668" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b8f3f95a8b9b4296f58120153f90334771a6cb808b0fe4ade558ce4b0bb26af0/TanzCameraObscuraPerformance_-Peter-Redlin---71.jpg" data-mid="101701139" border="0"  src="https://freight.cargo.site/w/668/i/b8f3f95a8b9b4296f58120153f90334771a6cb808b0fe4ade558ce4b0bb26af0/TanzCameraObscuraPerformance_-Peter-Redlin---71.jpg" /&#62;

more︎tanzkamera.com︎Taunus Nachrichten: “Tänzerische Bewegungen und die Spuren des Lichts”︎Frankfurt-Live: “Paul Pape zeigt in der Englischen Kirche (Bad Homburg) seine preisgekrönten ISO 5000-Fotografien”︎HfG Offenbach: ”7 Musiker*innen und 3 Tänzer*innen hinterlassen Tanzbilder und legen eine Spur in eine fotografische Emulsion“
</description>
		
	</item>
		
		
	<item>
		<title>Dust Camera</title>
				
		<link>https://paulpape.de/Dust-Camera</link>

		<pubDate>Sun, 26 Apr 2020 17:34:45 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

		<guid isPermaLink="true">https://paulpape.de/Dust-Camera</guid>

		<description>
&#60;img width="1149" height="772" width_o="1149" height_o="772" data-src="https://freight.cargo.site/t/original/i/9d400dba5f01c3b15fc54c358924764a623285449e2bbe7fb41278e04d897f38/Scanned000002.png" data-mid="69364078" border="0" data-no-zoom="true" data-draggable src="https://freight.cargo.site/w/1000/i/9d400dba5f01c3b15fc54c358924764a623285449e2bbe7fb41278e04d897f38/Scanned000002.png" /&#62;
Dust 
Camera








	&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/6e3d22a64870118a2570217c26931b1c745bab538e14073e0b4aa68f46242e44/Dustcatching_LaFranquie_FR.jpg" data-mid="69363468" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6e3d22a64870118a2570217c26931b1c745bab538e14073e0b4aa68f46242e44/Dustcatching_LaFranquie_FR.jpg" /&#62;




Dust Camera in La Franquie (FR)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 










The Dust Camera(2020) makes air pollution visible. The Institute for Tropospheric Research in Leipzig, uses both complex and simple filter systems to measure the soot pollution in the air. A very simple but effective technique they use is, a special cotton, through which is pumped a large volume of the atmosphere. Depending on the exposure and place, the cotton filter is impregnated &#38;nbsp; with dark stains. On this method the dust camera is based: made out of steal, wood and a special white filter cotton—F9 material which is used for protective masks. A strong ventilator pulls the air through the stretched cotton canvas.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; I positioned my machine in different locations and for a while let it “breathe in” the air. After a long exposure, the white cotton filter had dust stains and a "dust picture” was left behind. &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; When comparing scientific and artistic measuring methods, questions arise about the functionality and accuracy of the devices used and the meaningfulness of the visual results. The contextual dependency and formability of apparently objective recording methods in different disciplines can thus be reflected.




„…Dust, for example. Tiny traces are inscribed in the crime novel, the dust cloud that shows the approach of a rider is a semi-forgotten dramatic picture, dust hovers in space. The dust is the cipher of death and transience, it describes the battlefield where the heroes are "stuck in the dust". It can stand for a great, undisturbed silence, and in the end for the decayed and precious normality of our everyday life…“—from: ‘Staub’, Joachim Kalka, 2019


	&#60;img width="1467" height="2000" width_o="1467" height_o="2000" data-src="https://freight.cargo.site/t/original/i/dd9674e2c66175a07d46db66687c434a78658876247a3681a713e1ad33d68e67/Dustpicture_Offenbach_2020.jpg.jpg" data-mid="69364258" border="0"  src="https://freight.cargo.site/w/1000/i/dd9674e2c66175a07d46db66687c434a78658876247a3681a713e1ad33d68e67/Dustpicture_Offenbach_2020.jpg.jpg" /&#62;
Dust Picture
08.01.20, 09:01—19:00
48°46’37.8”N	9°14’07.7”EStuttgart Wangen, DE



	&#60;img width="1450" height="2000" width_o="1450" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e2e1c70cf61acd05e4a7efc7a7b8e0ca75b7c843b2a1de521ee94893fb88f746/Dustpicture_Offenbach_GE_2020.jpg" data-mid="69364259" border="0"  src="https://freight.cargo.site/w/1000/i/e2e1c70cf61acd05e4a7efc7a7b8e0ca75b7c843b2a1de521ee94893fb88f746/Dustpicture_Offenbach_GE_2020.jpg" /&#62;
Dust&#38;nbsp;Picture
31.01.20, 11:03—18:0050°05’36.1”N		8°46’11.7”EAtelier Wäscherei, Offenbach am Main, DE



	&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b0c0eebbb05ea8184ff7d5a4f6623b2432c8988cac547be7052cef36940cfdd7/Exhebition_SenkenbergMuseum_Dustpicture.jpg" data-mid="69364270" border="0"  src="https://freight.cargo.site/w/1000/i/b0c0eebbb05ea8184ff7d5a4f6623b2432c8988cac547be7052cef36940cfdd7/Exhebition_SenkenbergMuseum_Dustpicture.jpg" /&#62;#Makingcrisesvisible, exhibition in Senkenberg Museum, Frankfurt am Main.


more︎expo ‘Making Crises Visible’ in Senckenberg Museum, Frankfurt︎”Making Crises visible: eine Ausstellung der Krise”︎”Wenn zwei sich streiten, holen sie sich einen Dritten”&#38;nbsp;︎makingcrisesvisible.com
</description>
		
	</item>
		
		
	<item>
		<title>Schiedsgericht</title>
				
		<link>https://paulpape.de/Schiedsgericht</link>

		<pubDate>Sun, 26 Apr 2020 17:34:45 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

		<guid isPermaLink="true">https://paulpape.de/Schiedsgericht</guid>

		<description>
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3a9f559b93a6aed3a095c7c116606bc14d6b5d5f17752c301133b7f898c6802b/zeichnung.png" data-mid="69416638" border="0" data-no-zoom="true" data-draggable src="https://freight.cargo.site/w/1000/i/3a9f559b93a6aed3a095c7c116606bc14d6b5d5f17752c301133b7f898c6802b/zeichnung.png" /&#62;
Schiedsgericht /&#38;nbsp;
Arbitration Tribunal &#38;nbsp;






&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/10a5ad21a06892505a3789dd0659478fdf6cff536fbabb8efbcd4b7de5f24330/robert_schittko_copyright-4.jpg" data-mid="69416357" border="0"  src="https://freight.cargo.site/w/1000/i/10a5ad21a06892505a3789dd0659478fdf6cff536fbabb8efbcd4b7de5f24330/robert_schittko_copyright-4.jpg" /&#62;



© Robert Schittko#Makingcrisesvisible exhibition at Senkenberg museum, Frankfurt.&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 










Schiedsgericht/ Arbitration tribunal(2019) is a collaboration with Jana Bleckmann for the group exhibition ‘Making Crises Visible’. 


 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Arbitration Courts, as instruments of resolving conflicts between parties, come together, eye to eye at the negotiating table—at least that is the ideal concept of arbitration. Courts of arbitration can be used in conflicts between two states, but also between a state and a company or two companies. An important feature of arbitration is the freedom of the parties to decide largely on procedural rules, the type of law applied and the arbitrators appointed. The model illustrates different constellations by means of concrete cases. The usable furniture has been manipulated with regard to its (un)comfort, which illustrates the complications and power disparities between conflicting parties that procedures sometimes have to cope with.





&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/1c51805b1c58c92e87f89a3b11eafa4ca41d4e6faf6a70c27fe7b2663af3588f/unbenannt-227.jpg" data-mid="69416652" border="0"  src="https://freight.cargo.site/w/1000/i/1c51805b1c58c92e87f89a3b11eafa4ca41d4e6faf6a70c27fe7b2663af3588f/unbenannt-227.jpg" /&#62;© Paul Pape, 
Model of the arbitration court.&#38;nbsp;
more︎”Making Crises visible:
eine Ausstellung der Krise”
︎”Wenn zwei sich streiten, holen sie sich einen Dritten”&#38;nbsp;
︎Making Crises Visible: Der Transfer zwischen Wissenschaft und Kunst
︎makingcrisesvisible.com</description>
		
	</item>
		
		
	<item>
		<title>Lightwind Camera Obscura</title>
				
		<link>https://paulpape.de/Lightwind-Camera-Obscura</link>

		<pubDate>Sun, 26 Apr 2020 17:34:46 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

		<guid isPermaLink="true">https://paulpape.de/Lightwind-Camera-Obscura</guid>

		<description>
&#60;img width="1732" height="2508" width_o="1732" height_o="2508" data-src="https://freight.cargo.site/t/original/i/ffd1273925a235c068e6f6bf88c3d9d8bcdd9dbb6aa0517c9221243a6d21b3bd/Scan.png" data-mid="69457975" border="0" data-no-zoom="true" data-draggable src="https://freight.cargo.site/w/1000/i/ffd1273925a235c068e6f6bf88c3d9d8bcdd9dbb6aa0517c9221243a6d21b3bd/Scan.png" /&#62;
Lightwind 
Camera Obscura




&#60;img width="4560" height="5488" width_o="4560" height_o="5488" data-src="https://freight.cargo.site/t/original/i/4e354fac4c77cbb2b34cde8b25bdd62880ee21d42e26c1972604d70b3cd5aa79/Studio-ParisBilder-049_negtaiv.jpg" data-mid="69418016" border="0"  src="https://freight.cargo.site/w/1000/i/4e354fac4c77cbb2b34cde8b25bdd62880ee21d42e26c1972604d70b3cd5aa79/Studio-ParisBilder-049_negtaiv.jpg" /&#62;
Fondation Louis Vuitton, Paris, (2017). 


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
The Light Wind Camera Obscura(2018) is a self-designed 3D printed Camera machine with an integrated light pendulum. The design and construction of this camera was made in collaboration with product designer Felix Pape. 


 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; The light pendulum draws the movement of the wind; when the wind moves the sail—that is integrated on top of the camera—the movement is transmitted via a glass fibre cable into the interior of the camera and in this way leaves a drawing on the unexposed photographic paper. At the same time, the camera obscura creates an image of the environment during a extended exposure on the same photographic paper. The end result is then a collage of the environment and the wind that left their impression like a signature.


 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; With this machine, I caught the wind in the streets of Frankfurt, Paris, on a French beach, and other places. In 2019 I caught the inside wind that is to be found in the Data Room of SAP Germany. After going through a lot of security checks, my camera captured the atmosphere and winds of the place packed with devices with high technology and extremely sensitive data from all over the world.



 
&#60;img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b9c9dd00200dda13084704cf7b022316a004c6cff1f86363b2451c5184b41823/From-the-sries_-Lightwind_CameraObscura_Intersection.jpg" data-mid="69373736" border="0"  src="https://freight.cargo.site/w/1000/i/b9c9dd00200dda13084704cf7b022316a004c6cff1f86363b2451c5184b41823/From-the-sries_-Lightwind_CameraObscura_Intersection.jpg" /&#62;
	&#60;img width="800" height="1000" width_o="800" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c43284aed6e0e67e41a7ea98c2a6ce79e20658b0233d51c4e6bece2c91d2381c/AA__PaulPape_Datenhalle.jpg" data-mid="101790055" border="0"  src="https://freight.cargo.site/w/800/i/c43284aed6e0e67e41a7ea98c2a6ce79e20658b0233d51c4e6bece2c91d2381c/AA__PaulPape_Datenhalle.jpg" /&#62;
SAP (2019)more︎Offenbach.de on the ‘Lichtwind Camera Obscura’
︎SAP-Kunstausstellung: ‘Nicht nur scheitern, sondern auch darüber sprechen’
︎Ateliers im Delta: ‘&#38;nbsp;Paul Pape,&#38;nbsp;Fibre all the Way‘

︎OFF/FOTO 2020:&#38;nbsp; ‘Lichtwind Camera Obscura’
︎Rhein Nekkar Zeitung: ‘Spiel mit den Möglichkeiten der Fotografie’
</description>
		
	</item>
		
		
	<item>
		<title>Rooftop Drawings</title>
				
		<link>https://paulpape.de/Rooftop-Drawings</link>

		<pubDate>Fri, 29 May 2020 20:54:43 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

		<guid isPermaLink="true">https://paulpape.de/Rooftop-Drawings</guid>

		<description>
&#60;img width="537" height="831" width_o="537" height_o="831" data-src="https://freight.cargo.site/t/original/i/ddbaf03bfe50fc2e99d877b4d29b2082966f44a9be3b38c4f46d9097b9998bc4/tekenngen-02.png" data-mid="101795893" border="0" data-no-zoom="true" data-draggable src="https://freight.cargo.site/w/537/i/ddbaf03bfe50fc2e99d877b4d29b2082966f44a9be3b38c4f46d9097b9998bc4/tekenngen-02.png" /&#62;
Rooftop Drawings


&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/102eaa062a9a92ca11680f884fc0f0c81f1ec0736ef82eb89ee27806fbb6c035/DSC_6167.JPG" data-mid="72916103" border="0"  src="https://freight.cargo.site/w/1000/i/102eaa062a9a92ca11680f884fc0f0c81f1ec0736ef82eb89ee27806fbb6c035/DSC_6167.JPG" /&#62;










Rooftop Drawings(2019)&#38;nbsp;are a series of wind drawings created by a wind drawing machine attached to the top of a van. The construction allows the wind to draw its movement on paper. 

&#38;nbsp; &#38;nbsp; This project was shown during the ‘Badehaus Diaries’ in Alten Kurpark in Bad Soden , Taunus. Works by the 2018 award winners of the Künstlerhilfe awards: Jonas Englert, Guy Gormley, Marc Goroncy, Tina Kohlmann, Paul Pape, Filippa Petersson and Manuel Roßner, were exhibited.
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/846f1bf21a4cbd634e77232218a111dcbd2ab4e705f53f59faffa683fe2b4851/DSC_6087.JPG" data-mid="72916102" border="0"  src="https://freight.cargo.site/w/1000/i/846f1bf21a4cbd634e77232218a111dcbd2ab4e705f53f59faffa683fe2b4851/DSC_6087.JPG" /&#62;
more︎The Badehaus Diaries—Künstlerhilfe

︎HfG Offenbach on ‘The Badehaus Diaries’</description>
		
	</item>
		
		
	<item>
		<title>Queck Ero</title>
				
		<link>https://paulpape.de/Queck-Ero</link>

		<pubDate>Sat, 02 May 2020 18:37:10 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

		<guid isPermaLink="true">https://paulpape.de/Queck-Ero</guid>

		<description>Queck Ero



	&#60;img width="2848" height="2848" width_o="2848" height_o="2848" data-src="https://freight.cargo.site/t/original/i/3713ecacababa1960d9c99c32926eb45aaf7343560efe50cb3870cfee0a52fa8/DSC_0114.jpg" data-mid="69398323" border="0"  src="https://freight.cargo.site/w/1000/i/3713ecacababa1960d9c99c32926eb45aaf7343560efe50cb3870cfee0a52fa8/DSC_0114.jpg" /&#62;
&#60;img width="1232" height="1713" width_o="1232" height_o="1713" data-src="https://freight.cargo.site/t/original/i/7090dfcf62b1d09190c80fb5644ab7c56498cbe7473208cd1c7415fabef8eca8/Scanned000003.png" data-mid="69459085" border="0" data-no-zoom="true" data-draggable src="https://freight.cargo.site/w/1000/i/7090dfcf62b1d09190c80fb5644ab7c56498cbe7473208cd1c7415fabef8eca8/Scanned000003.png" /&#62;

Queck Ero (2017) During the journey to Bitburg.&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 










The Queck Ero(2017) is a machine that records&#38;nbsp; graphically,&#38;nbsp; the movements of the visitor. A turning plate in an unstable caravan, transforms the movements of the visitors in&#38;nbsp; the course of one day into a drawing. The results were shown during the group exhibition ‘Bitte ein Liebscher!’ in Haus Beda in Bitburg.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A series of drawings were exhibited. Each drawing shows the course of a day during the exhibition. The visitor disturbs the perfect circular course and brings tension to the drawing.





&#60;img width="2000" height="1442" width_o="2000" height_o="1442" data-src="https://freight.cargo.site/t/original/i/5e83b739a3b89cbc12e33b17be26ee2148e4353382be882b92337a47022248ba/OmaZEichnungenKlo000002.jpg" data-mid="69418329" border="0"  src="https://freight.cargo.site/w/1000/i/5e83b739a3b89cbc12e33b17be26ee2148e4353382be882b92337a47022248ba/OmaZEichnungenKlo000002.jpg" /&#62;Sketch Queck Ero (2017) .

&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/d5ebdfe4df7256e842c6568f48c32fba34d07b76b5d0183271b858aa6ffa81cc/_DSC4727.jpg" data-mid="69398316" border="0"  src="https://freight.cargo.site/w/1000/i/d5ebdfe4df7256e842c6568f48c32fba34d07b76b5d0183271b858aa6ffa81cc/_DSC4727.jpg" /&#62;
Exposition Bitte ein Liebscher!Haus Beda.
	&#60;img width="2000" height="1535" width_o="2000" height_o="1535" data-src="https://freight.cargo.site/t/original/i/0fc5ee64ec39e4f756adb461f77aff5113a26386498ba8e68efe63fbe153e41a/_NOA6319.png" data-mid="69398322" border="0"  src="https://freight.cargo.site/w/1000/i/0fc5ee64ec39e4f756adb461f77aff5113a26386498ba8e68efe63fbe153e41a/_NOA6319.png" /&#62;
	&#60;img width="2000" height="1384" width_o="2000" height_o="1384" data-src="https://freight.cargo.site/t/original/i/cf1b0300599c9c0d64454a21ae3caf6d68aed5dd6784bf1db398d0536769ee78/_NOA6309.png" data-mid="69398320" border="0"  src="https://freight.cargo.site/w/1000/i/cf1b0300599c9c0d64454a21ae3caf6d68aed5dd6784bf1db398d0536769ee78/_NOA6309.png" /&#62;



more︎Bitte ein Liebscher im Haus Beda</description>
		
	</item>
		
		
	<item>
		<title>Wind Drawings</title>
				
		<link>https://paulpape.de/Wind-Drawings</link>

		<pubDate>Sat, 02 May 2020 12:37:56 +0000</pubDate>

		<dc:creator>paulpape.de</dc:creator>

		<guid isPermaLink="true">https://paulpape.de/Wind-Drawings</guid>

		<description>
&#60;img width="1732" height="1511" width_o="1732" height_o="1511" data-src="https://freight.cargo.site/t/original/i/235b60c0ee4e95e4ff35a13d6fab1b2abc900c46afd791d565f96fd858fc553b/Scan.png" data-mid="101783852" border="0" data-no-zoom="true" data-draggable src="https://freight.cargo.site/w/1000/i/235b60c0ee4e95e4ff35a13d6fab1b2abc900c46afd791d565f96fd858fc553b/Scan.png" /&#62;
Wind Drawings


&#60;img width="2000" height="1328" width_o="2000" height_o="1328" data-src="https://freight.cargo.site/t/original/i/143a87daa888208bdce97bbc4a6b46aa806d53926368e44163faf9f6f06d02cd/DSC_0387.jpg" data-mid="69500151" border="0"  src="https://freight.cargo.site/w/1000/i/143a87daa888208bdce97bbc4a6b46aa806d53926368e44163faf9f6f06d02cd/DSC_0387.jpg" /&#62;
&#38;nbsp;Windzeichner (2017) La Franqui, FR. &#38;nbsp;  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
&#38;nbsp;










The Wind Drawings(2016—present day) are drawings as results of self-made drawing constructions made of steel and PETG. A cordless screwdriver moves a paper roll very slowly, while a pen, moved by the wind draws the movement lines of the wind. &#38;nbsp;



 &#38;nbsp;





&#60;img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/45b9a50308d929641f8b117ede708e4c312d598aea366e7db39160277b603531/xx-773.jpg" data-mid="69373863" border="0" data-scale="100" src="https://freight.cargo.site/w/640/i/45b9a50308d929641f8b117ede708e4c312d598aea366e7db39160277b603531/xx-773.jpg" /&#62;
&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/494d5d35578499dec803b5451ad0c6a9ab5fe120c8f6bca6f6fb1143cddbfbc2/AbfotografiertBuch.jpg" data-mid="69373877" border="0"  src="https://freight.cargo.site/w/1000/i/494d5d35578499dec803b5451ad0c6a9ab5fe120c8f6bca6f6fb1143cddbfbc2/AbfotografiertBuch.jpg" /&#62;
&#60;img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/8b3de83bdb944f1b9f8c237b6c1e0551cf24e0f38216c360c329d0185f154f5e/xx-777.jpg" data-mid="69500401" border="0"  src="https://freight.cargo.site/w/640/i/8b3de83bdb944f1b9f8c237b6c1e0551cf24e0f38216c360c329d0185f154f5e/xx-777.jpg" /&#62;
&#60;img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/24168145b5233965bb9778b150a4425aa837f3e7610a93f34aad313bbdcfaf01/xx-770.jpg" data-mid="69500400" border="0"  src="https://freight.cargo.site/w/640/i/24168145b5233965bb9778b150a4425aa837f3e7610a93f34aad313bbdcfaf01/xx-770.jpg" /&#62;

“Windzeichnungen”, 
Publication 300x183 
(2017)  





	&#60;img width="1453" height="2000" width_o="1453" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2a3d26123c819027051f5fb5ac254c1de067b2f7337dfeb5bcab7aafadba057d/WindFeder028_Ebene_BlauFinal01.png" data-mid="69500666" border="0"  src="https://freight.cargo.site/w/1000/i/2a3d26123c819027051f5fb5ac254c1de067b2f7337dfeb5bcab7aafadba057d/WindFeder028_Ebene_BlauFinal01.png" /&#62;
	&#60;img width="2000" height="3705" width_o="2000" height_o="3705" data-src="https://freight.cargo.site/t/original/i/c3b472104063897aea3248e327ce0712bd4be36d5a30f994f31e48df066aa7b6/WindFeder016_02.png" data-mid="69500675" border="0"  src="https://freight.cargo.site/w/1000/i/c3b472104063897aea3248e327ce0712bd4be36d5a30f994f31e48df066aa7b6/WindFeder016_02.png" /&#62;
	&#60;img width="1897" height="2768" width_o="1897" height_o="2768" data-src="https://freight.cargo.site/t/original/i/70053d541a1cdbe9e5726b19079750a8c3a3c9347a4a74be020ab65b61431365/Linie_rot_10kopie.png" data-mid="69500714" border="0"  src="https://freight.cargo.site/w/1000/i/70053d541a1cdbe9e5726b19079750a8c3a3c9347a4a74be020ab65b61431365/Linie_rot_10kopie.png" /&#62;
“Wind Drawings”&#38;nbsp;
 (2017)&#38;nbsp;


&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/93323f329c46b8f059176dfdab536bb75dbfbc7752ba8bd86c0b64831e166474/_DSC2966.jpg" data-mid="69373875" border="0"  src="https://freight.cargo.site/w/1000/i/93323f329c46b8f059176dfdab536bb75dbfbc7752ba8bd86c0b64831e166474/_DSC2966.jpg" /&#62;Windzeichner (2017) Linke Kapelle, HfG Offenbach. &#38;nbsp; &#38;nbsp; &#38;nbsp; </description>
		
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